A long time ago the space occupied by Qui Plume la Lune, a new Franco-Asian restaurant near the Cirque d’Hiver in the 11th arrondissement, was occupied by a very sweet little restaurant called Au C’Amelot, and since this was a place I liked a lot, I set off for dinner with my friend Judy, another very long-time American-in-Paris, with the hopes that we’d find the latest gastronomic incarnation of this narrow dining room with exposed stone walls to be as happy as its predecessor. I arrived before she did, and was immediately puzzled by by the desultory welcome of the two-member team here. Despite having made a reservation, I instantly had the impression of being an intruder on these premises, but I ordered a glass of Quincy and decided that maybe it wasn’t them, it was me, since I’d had a very busy and rather trying day. This reflex seemed pretty fair, too, since even before we show up in a restaurant, we’re arriving charged with our own good or bad mood.
Still, I found myself musing over the fact that the first thing any restaurant should do is offer you a warm welcome and assure that you’re comfortably seated before your meal begins, but for reasons that escape me, they’re a lot of new and very popular restaurants in Paris these days where one feels as though one’s presence is an imposition of some sort. To wit, the bluff attitude you experience when you arrives says ‘we’re hot, we’re hip, you’re lucky to be here’. For my part, I wilt as soon as I detect this posture, because the most essential motivation of any chef and his team has to be a desire to offer people pleasure and the decision to have a meal in a restaurant is a profoundly optional choice.
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